”This day would come. You’d complete a task and slouch in the seat and consider how soggy the task seems, yet, you would be powerless to ignore the fluttering of your heart, the aches in your finger, and the numbing feeling that you enjoyed what you did. The day you feel this way about any craft, it is then that you’ve found what to do” – Michael Emmanuel.
I remember with stunning clarity the morning I knew I would be a writer. It came like every other sunrise. Dawn broke at 6:15am. A soft wind swept our compound, and by the next hour, there was a thousand chores to tackle. The sink stunk of unwashed dishes, crumbs of spaghetti dotting its interior. Two mugs lay face-down, butts smeared with liquid soap. A row of ants crept in and out, having a fill.
In the bathroom, half a dozen round-necks were stacked against the walls. The tiles could use a scrubbing. A broom, parted at the middle, stood at the entrance, considering the mess and making mental notes. It would file a complaint with the chief.
Question was, how? How would it reach the chief but through me?
Oblivious to the discontent, I sat by the window and chewed a pen cover, suddenly feeling dumped. Before me was a new note, one page filled. As I stared at the tree behind the fence, I concluded I had judged wrong. Perhaps everyone could write, so long I wasn’t a part of everyone.
Thing was, I wasn’t green in the field of writing. My first original story was an assignment. I got nine of ten marks with a ‘See me’ addendum. The examiner wanted to be assured the story was my brainchild. Yes, I said, flushing. Two years later, I found a small note and wrote three – or two – pages of an intriguing novel and forgot all about it. Three years from that first submission, and with age beginning to chisel my face, I learnt how to write a story that wouldn’t have you puking. My resolve lasted a week
In fact, I grew certain it was my last try…
… Until this awkward morning. Watching the trees and wind, I felt I could do it. So, I wrote. And wrote. And wrote, till my fingers stiffed. A bucket of relief soaked me when I let the pen rest. Finally, the bestseller had come.
Thinking back, that thought came not because the story was fascinating (it kinda was, but the plot had enough holes it’d house a dinosaur) but because I enjoyed wasting so much minutes.
The clothes still hadn’t been washed. One row of ants had become a thick black mass attacking the kitchen. The sun had reached its peak. My stomach was groaned and growled. I borrowed comfort in the hope that the story would make gazillions of crisp notes.
It obviously didn’t. I’m clueless as to the location of the aforementioned note. But one thing has remained – my fingers still ache from writing.
Writers don’t put up this type of posts till they are well grounded (that is, sold respectable copies of books, snagged a few awards, spoken at a busload of events, etc…). I did this because, 1) it didn’t feel wrong and 2) my next birthday is under my nose and 3) someone needs to see this.
That person may be me.
Since that Monday two years back, I’ve studied a couple books on writing, read novels till my eyeballs shrunk, typed and typed, dug up story ideas and flipped them out, followed some blogs and opened one, applied for a handful competitions, grown up, gotten this disturbing beard, made new friends, and written…
Summary: Being a craftsman is unlike planting. If a woman drops six seeds of maize in the ground, she expects a matured plant half a year later. Anything else and she’d get on her prayer gears. Writing, like singing, like painting, like photography or designing, doesn’t work that way. Some achieve success quickly. Others learn to queue.
But, if we do it right, and do it well, and do it with intent, we won’t always remain unknown. This, I firmly believe.
P.S: I’m nursing the thought of putting fiction here for the next few posts. Thinking of consistency. Pray for me, reader. I’m entering a new age.